A port of a free Playdate game from osuika, now on Steam with cross-platform online multiplayer between the two versions. You slide office chairs at a target - physics-based, simple, immediately fun. The multiplayer works well and the high score mode has more pull than I care to admit. Cool little game, and the fact that it talks to a Playdate across platforms is hilarious.

Base-defence auto-battler where you wire up modules on a board to create your defences. The hook is immediately compelling, and the build ceiling is high enough that, initially, the real challenge became finding synergies strong enough for endgame, but efficient enough to keep it above 1fps. Patches have since reined it in. Compact, clever, very moreish.

[Early Access] It’s more Slay the Spire, and that’s entirely a compliment. New systems and mechanics add variety and depth to each run, and the two new characters both feel meaningfully distinct rather than just reskins. Already deeper than the original at launch - balance may be all over the shop, but it’s a tonne of fun. If you’re at all into these kinds of games you’re probably already playing it, but if not, just get it.

A stylish, fast-paced incremental with satisfying feedback and great polish. Its upgrade tree is mostly linear and not all modes feel essential, but the main loop delivers short bursts of dopamine-maxing destruction. Not for deep strategists, but ideal if you want to switch off and watch numbers-go-up for a short while.

Team Cherry has announced Hollow Knight: Silksong - Sea of Sorrow, a free (!) 2026 expansion bringing new areas, bosses, tools and more in a nautical-themed update for all Silksong players. More details are due closer to launch.

Hollow Knight: Silksong is tldr.games’ Game of the Year 2025. Virtually alongside Clair Obscur: Expedition 33, it stands as the year’s most remarkable achievement. Where Expedition 33 captivates through ambition, emotion and invention, Silksong reveals its brilliance through precision, trust and mastery, asking the player to engage deeply and improve over time. It is a game that rewards commitment, and one that continues to resonate long after playing.

Pocket Boss is a brisk, clever satire dressed up as data-fixing ‘puzzles’ (or probably more accurately WarioWare minigames). It’s short, funny, and sharply designed - over before it wears out its welcome at about 30-40min, but memorable in how it skewers corpo culture. Probably best played on phone.

Megabonk is dangerously moreish. Risk of Rain meets Vampire Survivors in chaotic 3D. When a run clicks, it’s glorious, sending you bunnyhopping through swarms in a storm of bonks. Not as well balanced as its inspirations, and it’s qUirKy ChUnGus writing can be a bit on the nose, but still a riot worth sinking hours into.

After so long, Silksong somehow feels both inevitable and unbelievable. Hornet moves like a dream, every dash and dive tight, every fight a dance that’s punishing but (mostly) fair. The world of Pharloom is staggering in scope: it just keeps expanding, full of new enemies, lavish art, secrets around every corner - all underscored by beautiful music and crisp sound design. Items and builds feel meaningful, not filler, and the variety on offer is impressive even for a game of this scale. It’s everything I hoped for: familiar yet transformed, reverent of its predecessor but confidently its own. After all the memes, the silkposts, the endless patience - Silksong was worth it. Anyone grumbling about difficulty, especially if their point of reference is Hunter’s March, might want to remember Hornet’s famous line from the first game. Loved it.

A cosy, clever puzzler with adorable art, quirky dialogue and just enough logic to feel satisfying. It’s short and can get repetitive, but, like Thomas Was Alone showed, personified shapes add immediate heart and charm. Hard to not like.