A quirky romp through a surreal Yorkshire town, Thank Goodness You’re Here! is a funny and absurd little gem. Silly, authentic British humour, great voice acting and super clean art style carry the otherwise mostly-on-rails puzzling - which never feels tiresome. The characters are charmingly bizarre, the world is lovingly crafted, and there’s even a couple of nods to their previous game The Good Time Garden. Ripper game… or should I say, it’s reyt good!

Seemingly simple, but absolutely delightful and just as dense as it needs to be. Lead a group of adorable creatures through beautiful landscapes amongst its charming visuals and super chill soundtrack. The controls are simple, and the gameplay is engaging, making it perfect for a lazy - dare I say cosy - Sunday.

SCHiM is a unique puzzler where you navigate exclusively on shadows while solving puzzles. Its minimalist design and core mechanics are fresh, progressing creatively. It’s a delightful and refreshing take - and at times has quite poignant moments - but it’s hard to not feel like it peaks quite early, despite it’s short playtime.

DROS is a puzzle-platformer blending exploration with relatively light challenge. You’ll control two characters with unique abilities, each with strengths and weaknesses. The art style is charming, but the gameplay can feel repetitive - it’s engaging up front, but may lack depth for some people. Casually, it’s a light and satisfying experience though.

An intriguing clicker game with an immediately captivating, minimalist aesthetic and subtly unsettling story. Number-goes-up satisfaction is at the forefront, but there are definite nods to factory automation, which rewards optimisation. Love the sound design, music, and unique take on the genre - but wish it leant harder into automation.

Suika Game but with pool input and physics. It’s a cool little idea, certainly executed very well and fairly priced. You likely won’t get tonnes of playtime out of it, but it’s fun. Imagine it would be cool on mobile or handheld.

Every now and then a game comes along with a narrow but succinct concept, so confident and well-executed that it immediately, effortlessly captures your attention til the credits roll. Arctic Eggs could have just been a silly little browser game (especially considering it was born of a gamejam), but pairing its singular mechanic with an unbelievably cool art style, interesting world and genuinely hilarious writing was a masterstroke that makes it something else entirely. It feels ridiculous to write so glowingly about a short egg-flipping game, but it’s a testament to how refreshing games with small scopes and a solid vision can be.

This sequel to the genre-defining Exit 8 is far more straight-forward (literally). It’s the same kind of spot-the-difference loop, but said differences are way more obvious - sometimes in an impressive way, but mostly in a disappointingly unchallenging way. It’s still cool, but the mystique isn’t really here, and overall isn’t quite as compelling.

Ever wondered what Wordle would be like if it was a dark, absurd and funny dungeon-crawler? Look no further! What a strange little game. Evokes a tonne of nostalgia, but capitalises on modern game sensibilities. Great music, excellent voice acting (and a crazy amount thereof!) and chock-full of charm. Won’t be for everyone just by virtue of being so different, but absolute worth checking out.

If you love when a game tells you nothing, has exploration, puzzles and secrets - all your Christmases have come at once with Animal Well. Its intricate art and wordless storytelling make for a unique and immersive atmosphere. The puzzles are varied and rewarding. Crafting and sustaining this level of intrigue in a metroidvania without combat is an impressive feat. Above all, Animal Well is full of surprises, and the fact that it was all created by one person is remarkable.