ZA/UM’s follow-up to Disco Elysium is an espionage RPG built from the same mechanical bones: isometric, dialogue-heavy, sharp and surreally written. There are things to like here: the exert and ailment systems, and some dramatic encounters. The new setting of Portofiro is more populous than Revachol, but I suspect fewer of its faces will stay with me. Despite the name, it doesn’t fully commit to being a spy game; it’s Disco in a trenchcoat, and the shadow of everything that happened at ZA/UM never really lifts. The art and writing are legitimately good - from any other studio, unambiguously so - certainly Anton Vill’s artwork is extraordinary. Strip away the context and it’s an uncontroversially good game - I just can’t tell how much of the distance I feel is the game falling short, and how much is conflicted grief for what could have been.

A pool roguelite where you fire balls at dice and layer on increasingly unhinged sticker combos: poop attracts flies, spiders spin webs to catch them, and so on. The number-go-up loop is immediately compelling and the interactions deliver genuine “wait, that works?” moments, even if the depth doesn’t go too deep. Cheerfully weird, stupid at times, always fun.

Surreal push-your-luck roguelite is greed distilled into a game loop. The trinket synergies give it roguelite texture beneath the gambling compulsion, and the lo-fi surrealist aesthetic earns its weirdness. Early access and lean on content, but the foundation is sharp. A promising little menace.

Poncle takes the Vampire Survivors build fantasy and drops it into a first-person dungeon-crawling deckbuilder, and… it works really well! The one-more-run pull is intact, the synergies get proper silly, and the genre shift adds genuine decision-making rather than removing it. Easy recommendation.

Odd Dreams Digital’s debut evolutionary roguelite has you starting as a blob and eating your way toward becoming, as everything inevitably does, a crab - and it’s more compelling than it sounds. The mutation system is expressive, runs are snappy, and the carcinisation mechanic is a smart bit of design wit. For ten bucks it’s a confident, charming game.

Coin-pusher roguelike deckbuilder - you’ll be able to tell whether you’ll like it from five seconds of a trailer. The premise may sound thin but the execution is the real thing: stack towers, trigger combos, shake the machine, feel the dopamine hit. Great art, nice music. Very cool.

Roguelike deckbuilder where you roll custom dice - each with unique and creative faces - and chase a point total. Balatro’s DNA is obvious, and the structure is clean enough. The loop never clicked quite for me; something in the feel had me admiring the concept more than enjoying the runs. Definitely worth a look for number-goes-up enjoyers.

Base-defence auto-battler where you wire up modules on a board to create your defences. The hook is immediately compelling, and the build ceiling is high enough that, initially, the real challenge became finding synergies strong enough for endgame, but efficient enough to keep it above 1fps. Patches have since reined it in. Compact, clever, very moreish.

[Early Access] It’s more Slay the Spire, and that’s entirely a compliment. New systems and mechanics add variety and depth to each run, and the two new characters both feel meaningfully distinct rather than just reskins. Already deeper than the original at launch - balance may be all over the shop, but it’s a tonne of fun. If you’re at all into these kinds of games you’re probably already playing it, but if not, just get it.

Everything is a horse. Beneath the deliberately crude and memey aesthetic is a surprisingly legit breeding, racing and genetics sim with DNA mechanics far more intricate than they have any right to be. The whole thing rewards experimentation in ways that keep surprising you, and the physics-based racing is consistently hilarious. You will create abominations. You will race them. You will gamble until you’re broke and need to shovel shit for fifty bucks behind the track. Loved it.