tldr videogame curation
melbourne, australia

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Winnie’s Hole is a grotesque, inventive roguelite where you infect dear old Winnie from the inside out - literally. Part deckbuilder, part tetromino puzzler, it’s mechanically sharp and thematically cursed. It may have been a joke premise, but the systems have real teeth. Fantastic.

Cairn is a brutal, meditative climb up a mountain that is utterly indifferent to your suffering. Every hold is deliberate, every resource hard-won. Quiet, lonely, and sometimes euphoric - a true strand-type game: walk slow, suffer deeply, and search for meaning in the silence.

Shape of Dreams is a roguelite with MOBA-style combat, sharp progression, and dense buildcrafting. Characters shift drastically depending on your upgrades, and runs snowballs fast. It’s chaotic, stylish, and full of smart mechanical ideas.

Q-UP pretends to be a sweaty 4v4 ranked esport, but it’s really a pseudo-multiplayer incremental dressed in a sponsored competitive jersey. You build elaborate skill engines, then watch the coin flip and the satire unfold. The joke works, and so does the game. Brilliant.

A stylish, fast-paced incremental with satisfying feedback and great polish. Its upgrade tree is mostly linear and not all modes feel essential, but the main loop delivers short bursts of dopamine-maxing destruction. Not for deep strategists, but ideal if you want to switch off and watch numbers-go-up for a short while.

A compelling Papers, Please-style loop with a zombie twist. Mechanics ramp up fast, with layered tools and decisions, though some feel like a loose fit. It’s clever, tense and at times funny, but its pace and style won’t be for everyone.

This Ain’t Even Poker, Ya Joker is a vibrant, fast-paced idle, incremental kind-of-deckbuilder with punchy progression, stylish visuals, and a clever twist on poker mechanics. Lasting 5-8 hours, it’s a focused, satisfying experience that doesn’t overstay its welcome. The VFX/SFX and constant ‘number goes up’ feedback make it a true serotonin dispenser, and after only a short time with it, I finally understood pokies boomers.

Skate Story is a moody, tightly-controlled skating experience that leans hard on atmosphere and flow. The skating feels weighty but precise, the premise and art is inspired, and the soundtrack does a huge amount of emotional lifting. Not a deep trick sandbox like Tony Hawk - more a short, vibey art piece that peaks in its linear flow sequences, and when everything clicks, it’s genuinely special.

Some may ask why the absurd incremental/clicker Tingus Goose exists at all - what is this? Who made this, and why? And yet, in its honking chaos and wilful grotesquery, the answer becomes self-evident. It rejects polish and restraint, favouring curiosity and excess instead. Creation becomes ritual, repetition becomes comfort, and the absurd reveals itself as essential. It’s fun. Honk.

A moody, folklore-soaked strategy deckbuilder where battles play out on grid, so positioning matters as much as your draw. You explore distinct regions, craft loads of cards from enemy materials, and swap archetypes as each biome pushes different mechanics. It’s tough-but-fair with low death penalty, and the pixel art and soundscape absolutely rule. Really cool.